南宫NG28失败

• 清晰：HD
• 类型：纪录 社会
• 主演：Swann Agha Natasha Andraos Gha?s Bertout-Ourabah Jackson Ellis
• 年月：2019 / 法国 / 让-加布瑞·贝里奥
• 导演：让-加布瑞·贝里奥
• 国家/地区：法国
• 时长：120分钟
• 语言/字幕：法语
• 年月：2019
• 更新时间：2025-05-18 03:32:16
• 影视/谈论：目今有0条谈论，
• 详细先容： <p>　　2018年5月和6月，Jean Gabriel… <p>　　2018年5月和6月，Jean Gabriel P_Riot与位于Ivry Sur Seine的一所高中的10名影戏班学生相助，开展了一项将影戏与政治连系起来的项目
  。学生们在摄像机前和摄像机后事情，重新安排歇工、对抗和劳资纠纷的场景，这些影戏可以追溯到20世纪60年月末到70年月末，包括让-卢克-戈达尔和阿兰-坦纳的影戏
  。nos d_faites搜集了视察效果，并增添了采访，在采访中，导演询问学生他们刚刚演出的场景，关于“阶级”、“工会”和“政治加入”等看法，以及更普遍的社会配景
  。这是一个简朴，但尖锐的设置，让观众一瞥年轻一代怎样看待政治和已往的政治影戏
  。这部影片还纪录了导演试图激怒学生的妄想
  。在导演和学生似乎处于一律职位的遭遇中，基于从未见过的导演更多类似于先生的提问，以及此时现在对革命的思索：起义的体现反应了同样的情形
  。这会导致一个真实的爆发吗？<br/>　　In May and June 2018, Jean-Gabriel Périot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos défaites assembles the results, and adds interviews in which the director queries the students about the scenes they’ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, based on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real?<br/>　　回到1968年的影戏时代，继续对重放从已往跳出来的影戏节选的年轻人举行今天的采访，南宫NG28失败描绘了我们目今与政治的关系
  。南宫NG28失败，照旧我们有足够的实力来面临今天的杂乱？<br/>　　By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?</p> 详情